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Graham Lambkin |
Abersayne |
No Beter No Worse Vol2 |
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The Tower Recordings |
Punk 3000 |
Furniture Music for Evening Shuttles |
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Felt |
I Didn't Mean To Hurt You |
Ballad of The Band |
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Loren Connors & Haunted House |
Thomas Paine |
Blue Ghost Blues |
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Brunhild Ferrari, Vincent Royer |
Le piano englouti |
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Burkhard Stangl |
i was. |
I Was |
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Ekkehard Ehlers / Franz Hautzinger / Joseph Suchy |
Soundchambers 1 |
Soundchambers |
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Amiri Baraka |
Interview on art as a weapon |
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Carrie DeCunzo Mirande |
The Wound |
My Shadow |
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Dorothy Carlos |
exordia |
Curio |
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Tek Lintowe |
A Lot But Anyways-Live |
Its Been Real (Live) |
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Anne Laplantine |
6 |
Dicipline |
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friends& |
Its alien character emerges clearly in the fact that as soon as no physical or other compulsion exists, labor is shunned like the plague. |
folx |
✔ |
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friends& |
Carolina in My Mind ([skinwalker] w [alienation] [neglects] to [process] @ [the insurance claim centre]) ([aCtUaLlY_I_DoNt_eVeN_CaRe_aBoUt_wHaT_He_dOeS]) |
folx |
✔ |
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Veronica Everheart |
Simulacrum |
Lighter In The Morning |
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friends& |
[...] in its blind unrestrainable passion, its were-wolf hunger for surplus-labour, capital oversteps not only the moral, but even the merely physical maximum bounds of the working-day. |
folx |
✔ |