Saturday, October 16, 2021 - 8:00pm

Nothing: The Great Dismal, NOTHING’s new full-length album explores existentialist themes of isolation, extinction, and human behavior in the face of 2020’s vast wasteland. Closing in on the band’s ten-year mark, Palermo finds himself stringing together songs of misanthropic tales of Philadelphia with a refined and refreshed take on NOTHING’s classic sound. “The Great Dismal refers to a swamp, a brilliant natural trap where survival is custom fit to its inhabitants,” Palermo states. “The nature of its beautiful, but taxing environment and harsh conditions can’t ever really be shaken or forgotten too easily.”

Frankie Rose: Cage Tropical, Frankie’s 4th album is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. “My references aren’t just music,” says Frankie, “I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there.”

Enumclaw: Despite making their digital debut two months ago, Enumclaw actually formed in July 2019 when Johnson and friends Nathan Cornell (guitar) and Ladaniel Gipson (drums) would hit Tacoma landmark Bob’s Java Jive for Monday night karaoke. Johnson and Cornell, who previously played in an emo band, bonded over a shared love of ’90s rock. (“We both know way too much about Nirvana and Oasis,” says Johnson.)