Broad Horizons on Fri 4/17/26
| Artist | Title | Album | Label | New |
|---|---|---|---|---|
| Ki Dei | Camino | Transmisiones: Cuba | new, not on our shelves | |
| Manekinekod | Unable To Display | 4 Women No Cry Vol. 3 | ||
| TOMAGA | Mountain Opener | Futura Grotesk | ||
| betty hammerschlag | circlesss | fake girl | ||
| Ellen Fullman and The Living Earth Show | Concentrated Merry-Go-Round | Elemental View | ||
| Blackwater Holylight | Giraffe | Not Here Not Gone | ✔ | |
| Kakubo | Aboyá | Donne Che Corrono Coi Lupi | ||
| Manekinekod | B with An | 4 Women No Cry Vol. 3 | ||
| Beate Bartel | Avant-Garde | Instrumentals for Sirens | ||
| Laurel Halo | Who Won? | Dust | ||
| dagmar zuniga | LN60 | in filth your mystery is kingdom / far smile peasant in yellow music | ✔ | |
| Anysia Kym, Tony Seltzer | Picture This | Purity | ||
| Deradoorian | Dali's Elephant Caravan Melting Desert | Donne Che Corrono Coi Lupi | ||
| Theresa Wong | Sea Eating Sun | Journey to the Cave of Guanyin | ||
| Penguin Café Orchestra | Numbers 1-4 | Penguin Café Orchestra | ||
| Liz Christine | Green Eyes Girl (Sweet Mellow Version) | Sweet Mellow Cat | ||
| Anna McMichael & Clocked Out (Erik Griswold/Vanessa Tomlinson) | Sustainable Seaweed Packaging | Peak Plastique | ||
| Anysia Kym, Loraine James | tension | Clandestine | ||
| Wendy Eisenberg | Take A Number | Take A Number | ✔ | |
| Melodiesinfonie, Fiona Fiasco | Brangelina Fanfiction | Forever Faking Memoirs | ||
| Greie Gut Faktion | Mischmachine | Baustelle | ||
| Chica and the Folder | I'll Come Running | Monika Force | ||
| Annea Lockwood | Buoyant | Ground of Being | ||
| Cellophane Spill | Episode 2 | Season 2 | ||
| Myra Davies, Gudrun Gut | Taxi | Miasma | ||
| dagmar zuniga | Why I Remember (Each Day of Summer) | in filth your mystery is kingdom / far smile peasant in yellow music | ✔ | |
| upsammy & Valentina Magaletti | Superimposed | Seismo | new, not on our shelves |
Broad Horizons
DJs:
meghan_r
Friday 4-6pm
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Wednesday 12-1pm
Wednesday 12-1pm
Thursday 9-10am
“you watch a car commercial and the car is presented as a masculinity carapace and this idea persists as if we don’t all know that the car is actually a second womb and every arrival + subsequent exit from the vehicle is a rebirth — it’s obvious why straight men feel such an attachment, and doubly obvious why they don’t want you to know. the trained eye can locate the mother wound of every car driver within seconds.” - tumblr user iphigeniacomplex, Aug 22, 2025
Experimental
Outsider
World
Broadcast Type:
In-Person