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Artist | Title | Album | Label | Local |
---|---|---|---|---|
Ice | Stick Insect | Under the Skin | Pathological Records (1993) | |
Eternal Elysium | Views on C# | 末世の葬礼 贰 现场 | Dying Art Productions (2019) | |
Divide & Dissolve | Indignation | Systemic | Invada Records (2023) | |
Filiamotsa | Stylobrique | Tribute To KC | Chez Kito Kat (2009) | |
Fat Worm of Error | Re JH-168 | Broods | Ecstatic Peace! / Open Mouth Records (2010) | |
Cartoon | Nurses | Nyuck Nyuck Boing! | Human Headstone Presents (2024) | ✔ |
Masayo Koketsu/Bill Nace duo | Teddy's | S/T | Open Mouth Records (2023) | |
Water Damage | Reel LE | Reel LE | Longform Editions (2024) | |
White Suns | Heirloom | Dredging Heaven | Decoherence Records (2024) | |
Distorted Pony | Blare | Work Makes Freedom | BOMP! (1991) | |
The Jesus Lizard | Lord Godiva | Rack | Ipecac Recordings (2024) | |
Pinkwash | The Brevity is Unkind | Collective Sigh | Don Giovanni Records (2016) | |
Shellac | I Don't Fear Hell | To All Trains | Touch And Go (2024) | |
Filiamotsa | The Bus Is Late Again | Like It Is | Aagoo Records (2015) | |
17 Pygmies | Vows | Hatikva + Jedda By The Sea | Lazy Dog Records (1995) | |
Wipers | So Young | Over The Edge | Brain Eater (1983) | |
The Prefects | Bristol Road Leads to Dachau | Going Through the Motions | Call Of The Void (2019) | |
Poison Ruin | Confrere | Confrere | Relapse (2024) | ✔ |