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| Artist | Title | Album | Label | Local |
|---|---|---|---|---|
| Oxbow | Sunday | Let Me Be A Woman | Crippled Dick Hot Wax! (1995) | |
| Father Murphy | Let The Wrong Rise With You | Pain Is On Our Side Now | Boring Machines (2014) | |
| Einstürzende Neubauten | Bakterien Für Eure Seele | Lieber Zuviel Als Zuwenig (ZickZack Sommerhits 81) | Zickzack (1981) | |
| Deathbird Earth | Time II | Objective Consciousness | SRA Records (2026) | ✔ |
| Stinking Lizaveta | Nomen Est Omen | Anthems and Phantoms | SRA Records (2023) | ✔ |
| Quiet Abandon | Real or Implied, and | 650 Grams | Self-released (2025) | ✔ |
| Guts Pie Earshot | Feedback | Distorted Wonderland | Revolution Inside (1997) | |
| Neurosis | First Red Rays | An Undying Love For A Burning World | Neurot Recordings (2026) | |
| Deveykus | Vision of the Chariot | Pillar Without Mercy | Tzadik (2013) | ✔ |
| Sweet Tooth | Soul Shark | Soft White Underbelly | Earache (1990) | |
| Slab! | Flirt | Descension | Ink Records (1987) | |
| Freiwillige Selbstkontrolle | Eingeschlagene Schaufenster | Lieber Zuviel Als Zuwenig (ZickZack Sommerhits 81) | Zickzack (1981) | |
| Effi Briest | Nights | Rhizomes | Sacred Bones Records (2010 | |
| Sons of Frida/Rome Buyce Night Orchestra | Ultrasonic Scream | Orchestra | Zero Egal Petit Interieur (2012) | |
| Black Arches with Sexton Ming | Tepritures High | Folly | Rocket Recordings (2025) | |
| Last Exit | Red Light | Live at the Moers Jazz Festival | Self-released (2021) | |
| Coil | Tattooed Man | The Ape of Naples | Threshold House (2005) |