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| Artist | Title | Album | Label |
|---|---|---|---|
| Kiku (feat Blixa Bargeld, Black Cracker) | Hohlspiegel | Eng, Düster Und Bang | Everest Records (2017) |
| The Lewers | O Karina | 518A | Lulus Sonic Disc Club (2023) |
| Duet Emmo | Or So It Seems | Or So It Seems [RE] | Mute (1992, originally 1982) |
| Coil | Ostia (The Death of Pasolini) | Horse Rotorvator | Force & Form (1986) |
| Alvin Lucier & The Brandeis University Chamber Chorus | Robert Ashley: She Was a Visitor | Extended Voices [RE] | Sony Classical (2014, originally 1967) |
| Cucina Povera | Kuparirumpu | Hilja | Night School (2018) |
| Betty Olivero | En La Mar Hai Una Torre | The Song of Songs | Louth Contemporary Music Society (2015) |
| Einstürzende Neubauten | Die Explosion Im Festspielhaus | Ende Neu | Mute (1996) |
| T.J. Borden, Vinny Golia, James McKain & James Paul Nadien | Mr. Hee Wonderful | The Pure Products of America Go Crazy | International School of Evidence (2026) |
| Blast | Welter | Wire Stitched Ears | Cuneiform (1995) |
| Sax Ruins | Blimmguass | Blimmguass | Skin Graft Records (2013) |
| Blotchouts | Mellon Baller | Blotchouts / Death Envy Split CS | Silk Nest Tapes (2026) |
| Coughs | Garter Snake | Fright Makes Right | Load Records (2005) |
| YBO² | Springfield | Kingdom of Familiydream [RE] | Transrecords (2017, originally 1986) |
| Sly & The Family Drone | The Guts Of Albion | With Love | Self-released (2026) |
| Up-Tight | Our Own Portrait | The Beginning of the End | 8mm Records (2009) |