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| Artist | Title | Album | Label |
|---|---|---|---|
| Autarch | Excision | Excession//Excision | Shove Records (2022) |
| No Sun Rises | Tanz im fahlen Lichte | Harmisod | Alerta Antifascista (2024) |
| Abstracter | Warhead Twilight | Abominion | Sentient Ruin Laboratories (2021) |
| Grave New World | God Breathed His Last Agony | The Last Sanctuary (RE) | Bitter Lake Recordings (2020, originally 1992) |
| The Public | Modlite sa za mor | Sanctify | Self-released (2020) |
| Al-Thawra | A Las Cinco | Who Benefits From War? | Najdiyya Records (2008) |
| Geld | The Fix Is In | Currency // Castration | Relapse Records (2023) |
| Resistance | Rifle and Scythe | S/T | Disdain Records (2023) |
| Tragedy | Beginning of the End | Vengeance | Tragedy Records (2002) |
| Worn Mantle | Burning Light | S/T | Self-released (2022) |
| DIVN | Post Apokaliptik | May We All Heal From Things We Don't Speak About | Skullism Records (2024) |
| Carrion Bloom | Watery Graves for the Wretched and Virtuous | Sacraments of Pestilence | Riff Merchant Records (2022) |
| Mor | Zima (Winter) | Amebix Balkans | PMK Records (2012) |
| Plague Dogs | Shield of Lies | II | Where's The Pleasure (2019) |
| Arüspex | Hallowed Days | Hawthorne & Henbane | Self-released (2023) |
| Slow End | Herd | Herd | nvsbl // ftdoc (2023) |
| Territory | Scarecrows | S/T | Televised Suicide Records (2019) |
| Alement | Electric Womb | Banished Sphere | Self-released (2023) |
| Hollow Psalms | Die Choking | Loneliness & Isolation | Underthing Records (2023) |